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In this subject, students will be introduced to films and cinematic traditions beyond the Hollywood film industry by focusing on films made in Asia (South Asian, Southeast Asian, East Asian and West Asian), Africa, South America and Europe. This subject builds on material taught in Film Studies by introducing students to social theories, aesthetic themes and issues regarding contemporary world cinema through a combination of perspectives from film studies and cultural theory. Issues of modernity, representation, national identity, postcolonialism, and realism will be discussed for students to develop a critical understanding of non-mainstream and non-Hollywood films. Students will be introduced to key social and aesthetic themes with a focus on filmmakers and films from Asia, Africa, South America and Europe. Additionally, students will conduct research on films and issues that relate to the society and culture of countries from these regions. Students will also learn how to apply the concepts learnt in this subject by analysing the historical and cultural development of modern cinema in these regions. Through case studies of these countries, curated screenings of relevant cinematic works, and application of relevant theories and perspectives, students will understand how the media, culture and politics informs filmmaking in the region and its impact on nationhood.   

On completing the course, students will be able to:

1. Apply selected key concepts found in the discourse of world cinema to explain how a film addresses an issue or theme.
2. Demonstrate the ability to participate in discussions on findings about contemporary issues and themes prevalent in the discourse of world cinema.
3. Initiate research tasks on contemporary world cinemas.